By defining a distinctive graphic style to a diverse range of projects, Graphic Thought Facility has emerged as one of the UK’s most influential - and productive - graphic design teams.

Founded in London in 1990 by Andy Stevens and Paul Neale, GTF now works for such clients as Habitat, Shakespeare’s Globe Theatre and the Design Museum. The work of Graphic Thought Facility is defined less by a distinctive visual language than the rigour with which the designers approach the process of developing and executing graphic projects.

The defining characteristic of GTF’s finished work is its eclecticism. Drawing on a diverse range of typefaces - from robust use of Helvetica in the Digitopolis gallery at the Science Museum in London, to the curlicue lettering in marketing material for Habitat - printing techniques and materials, GTF reinvents its graphic style for each project.

Paul Neale and Andy Stevens after they graduated in graphic design from the Royal College of Art, GTF has since combined cultural projects - for Manchester Art Gallery, the Frieze Art Fair and Shakespeare’s Globe Theatre as well as the visual identity of the Design Museum - with commercial commissions from Habitat and the design of graphic- based products such as the MeBox storage system. Huw Morgan is now a partner of GTF alongside Neale and Stevens

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