The first edition of the ‘Titan: illustration in design’ competition received 1039 entries from 79 countries. Quite a good start for a new international competition. The jury met over a period of 2 and a half days to assess the work, with a preselection having been made the week before. Discussion was intense but joyful. In particular, the jury were mindful that the Titan competition is not a usual illustration competition because of its focus on illustration in design.
This means that the object or item for which the illustrations were created – the book, brochure, magazine, poster etc. – becomes part of the criteria for assessing the work. The jury’s attention therefore was drawn beyond the quality of the illustration as a unique work and necessarily took into consideration the nature of the submitted object; the format, the materials used, the print production and the finishing, and above all the symmetry between illustration and context.
The categories that had been created for the competition served as a method for recognising the differing purposes and production boundaries for which the work was created. It also served as a mechanism of dividing the work into manageable sections. It soon became evident however, that some categories heavily outweighed others in numbers of submissions. After discussion, the jury decided that whilst the categories had been useful in the structuring of the competition, the most important thing to consider was the quality of the work and that this consideration should supersede all others. As a consequence the jury decided to set the categories aside and award 6 1st prizes in addition to the overall prize. A further 45 works were selected for inclusion in the exhibition.
We would like to take this opportunity to congratulate the winners as well as those selected for exhibition for their excellent work, and in particular our praise goes to the overall prize winner, Sara Fanelli for an outstanding contribution. Not least of all, we would like to thank all those who took the time to enter their work and helped raise the standard of the competition. We look forward to more next year.
Andrew Howard
Head of Jury
Andrew Howard UK
Head of Jury
Biography
Andrew Howard is a graphic designer, curator, writer and teacher living and working in Porto, Portugal. He has specialised over the years in design work for cultural and educational organisations and institutions. Much of his design work in recent years has been devoted to book and exhibition design. He is currently course leader of the MA in Design of ESAD, in the Communication & Multimedia group.
In 2003 he devised and began coordinating the Personal Views project (www.esad.pt/personalviews), an international seminar series which has so far bought together an unparalleled group of 44 of the worlds most prominent designers, writers and educators in the field of graphic design to explore the boundaries of contemporary communication design practice. In 2005 he began curating a two year series of communication design exhibitions for the Serralves Foundation. The series, entitled Idioms (www.studioandrewhoward.com/idioms), explores the day-to-day world of graphic design. Six exhibitions have taken place so far: 175X120 (Portuguese street posters); Read Before Using (exploring the world of visual instructions); Alphabet (celebrating the graphic code we know as letters); Photographic Calls (looking at mobile phone imagery), Graphic Forest (which looks at the omnipresence of graphic design in our daily lives), and Gateways (an international exhibition of book cover design).
He has won international design awards from the International Society of Typographic Designers, the American Art Directors Club and the New York Type Directors Club. He has been president and jury member of various national and international design competitions. Most recently, his book design has been featured in Fully Booked (Die Gestalten Verlag, 2008) and in We Love Books!, an International book exhibition in Echirolles, France, bringing together books from the four corners of the world.
He was one of the 33 original signatories to the First Things First 2000 Manifesto and his writing on design has been published in Eye and Adbusters and been included in the anthologies, Looking Closer, Critical Writings on Graphic Design, issues 2 & 4 (Allworth Press, New York, 1997). In 1986 he collaborated in the authorship and production of Another Standard 86: Culture and Democracy, The Manifesto (Comedia Publishing Group, London, 1986). He is currently compiling and editing an anthology of essays to be published as a result of the Personal Views project, and a book for Laurence King Publishing about book cover design.
Competition Statement
The first edition of the TITAN illustration in design competition received 1039 entries from 79 countries. Quite a good start for a new international competition. The jury met over a period of 2 and a half days to assess the work, with a preselection having been made the week before. Discussion was intense but joyful. In particular, the jury were mindful that the TITAN competition is not a usual illustration competition because of its focus on illustration in design.
This means that the object or item for which the illustrations were created – the book, brochure, magazine, poster etc. – becomes part of the criteria for assessing the work. The jury’s attention therefore was drawn beyond the quality of the illustration as a unique work and necessarily took into consideration the nature of the submitted object; the format, the materials used, the print production and the finishing, and above all the symmetry between illustration and context.
The categories that had been created for the competition served as a method for recognising the differing purposes and production boundaries for which the work was created. It also served as a mechanism of dividing the work into manageable sections. It soon became evident however, that some categories heavily outweighed others in numbers of submissions. After discussion, the jury decided that whilst the categories had been useful in the structuring of the competition, the most important thing to consider was the quality of the work and that this consideration should supersede all others. As a consequence the jury decided to set the categories aside and award six first prizes in addition to the overall prize. A further 45 works were selected for inclusion in the exhibition.
We would like to take this opportunity to congratulate the winners as well as those selected for exhibition for their excellent work, and in particular our praise goes to the overall prize winner, Sara Fanelli for an outstanding contribution. Not least of all, we would like to thank all those who took the time to enter their work and helped raise the standard of the competition. We look forward to more next year.
Paula Scher USA
Jury
Biography
For more than three decades Paula Scher has been at the forefront of graphic design. Scher has been a principal in the New York office of the distinguished international design consultancy Pentagram since 1991. She began her career as an art director in the 70s and early ’80s, when her eclectic approach to typography became highly influential. In the mid-90s her landmark identity for The Public Theater fused high and low into a wholly new symbology for cultural institutions, and her recent architectural collaborations have re-imagined the urban landscape as a dynamic environment of dimensional graphic design. Her graphic identities for Citibank and Tiffany & Co. have become case studies for the contemporary regeneration of classic American brands.
Scher has developed identities, packaging for a broad range of clients that includes, among others, The New York Times Magazine, Perry Ellis, Bloomberg, Target, Jazz at Lincoln Center, the Detroit Symphony Orchestra, the New Jersey Performing Arts Center, the New 42nd Street, the New York Botanical Garden, and The Daily Show With Jon Stewart. In 1996 Scher’s widely imitated identity for the Public Theater won the coveted Beacon Award for integrated corporate design strategy. She serves on the board of The Public Theater, and is a frequent design contributor to The New York Times, GQ and other publications.
In 1998 Scher was named to the Art Directors Club Hall of Fame, and in 2000 she received the prestigious Chrysler Award for Innovation in Design. She has served on the national board of AIGA and was president of its New York chapter from 1998 to 2000. In 2001 she received the profession’s highest honor, the AIGA Medal, in recognition of her distinguished achievements and contributions to the field. She is a member of the Alliance Graphique Internationale. Her work is represented in the permanent collections of the Museum of Modern Art and the Cooper-Hewitt National Design Museum, New York; the Library of Congress, Washington, D.C.; the Museum für Gestaltung Zürich; the Denver Art Museum; and the Bibliothèque nationale de France and the Centre Georges Pompidou, Paris.
Scher holds a BFA from the Tyler School of Art and a Doctor of Fine Arts Honoris Causa from the Corcoran College of Art and Design. She has lectured and exhibited all over the world, and her teaching career includes over two decades at the School of Visual Arts, along with positions at the Cooper Union, Yale University and the Tyler School of Art. She has authored numerous articles on design-related subjects for the AIGA Journal of Graphic Design, PRINT, Graphis and other publications, and in 2002 Princeton Architectural Press published her career monograph Make It Bigger.
Competition Statement
Judging the TITAN awards was a wonderful experience. What resonated especially for me was how stupendous the work of the illustrators can be when they are free of the constraints and expectations of clients and art directors. The book category was by far and away the best in the show. That was because very often the books were authored by the illustrators, or they were collections of the illustrator works or even catalogues from their exhibitions. In these instances, the marriage of illustration and design became seamless, the books were total, beautiful objects and one didn’t think about the “use” of illustration in these instances because the illustrationexisted naturally as if it were the only possible solution. If I had my way, I would have only awarded prize money to the books. The other categories were decidedly weak, and that says more about the relationship of illustration and client control than it does about the state of illustration.
Heitor Alvelos PT
Jury
Biography
Born in Viseu, Portugal, in 1966. He is doctor of Philosophy in Communication Art and Design (Royal College of Art, London, 2003), master of Fine Arts in Visual Communication (School of the Art Institute of Chicago, 1992), and professor and researcher in Design and Cultural Criminology, with papers presented internationally since 2001 and research work published since 2003. He is head of Communication Design at the University of Porto, Course Director of BA and MA Design and Multimedia Programmes, visiting tutor at the Drawing Studio of the Royal College of Art, member of the Editorial Board of Crime Media Culture (Sage Pub.) and Member of the General Council of the Gomes Teixeira Foundation, University of Porto.
Exhibits internationally since 1989. Regular collaborator of the UK media label Touch in Design, with photography and visual work for live events (Biosphere, Fennesz, BJNilsen, among others). Works under the alias Autodigest in the production of conceptual sound pieces, released on CD by Ash International (UK), the Gulbenkian Foundation (UK) and Crónica (Portugal) and performs regularly in international events. He is curator of Design exhibitions and conferences since 2002.
Competition Statement
Congratulations to ESAD for promoting and organising an illustration competition of such breadth and scope! And congratulations to Andrew and his team for running things so smoothly. There was certainly a huge amount of preparatory work so that the jury could focus on the selection process, unencumbered by logistics. The jury’s work was a joy, as it is when one is given the opportunity to view and discuss the wide ranges of diverse and exciting work being produced nowadays. We often mentioned how much we were learning throughout the evaluation process – revising our prior beliefs as to the boundaries of illustration, questioning our own paradigms of virtuosity and communication.
We were often in agreement, a fact that confirmed my belief that creativity and inspiration are not such random processes after all. I believe we were able to award some of the outstanding work produced in the last few years: a distinction of its authors, but an acknowledgment of a time when creativity truly knows no limits – from self-publishing to viral communication, from traditional analogue processes to cutting-edge digital platforms and everything inbetween. Here’s to the next TITAN, and may it grow exponentially!
Jessica Helfand USA
Jury
Biography
Jessica Helfand is a graphic designer, educator, writer and theorist.
Since 1997, Jessica Helfand has worked in partnership with William Drenttel at Winterhouse, a studio focusing on publishing, new media and cultural institutions. Recent clients include Archives of American Art, Errol Morris, Teach for America, New England Journal of Medicine, The New Yorker, NYU Institute for the Humanities, NYU School of Journalism, Paris Review, Legal Affairs, University of Chicago Press, Yale School of Forestry, and the National Design Awards.
Prior to co-founding Winterhouse, Helfand was an award-winning editorial and interaction designer, whose clients included The New York Times, Newsweek, Times of London and The Discovery Channel.
Helfand is a founding editor of Design Observer, a blog of design and cultural criticism: today, the site is the largest design publication in the world with over a million site visits a month. She is also a co-editor of Below the Fold:, a journal of visual culture published by Winterhouse; and the founder of the AIGA Winterhouse Writing Awards, a $5000 prize for innovation in design writing and cultural criticism. A former contributing editor and columnist for Print, Communications Arts and Eye magazines, she has written for numerous national publications including Aperture, The Los Angeles Times Book Review and The New Republic, and has also appeared on National Public Radio. She is the author of several books on design and cultural criticism, including Paul Rand: American Modernist (1998), Screen: Essays on Graphic Design, New Media and Visual Culture (2001) and “Reinventing the Wheel” (2002), which formed the basis for an exhibit in 2003 at The Grolier Club in New York City. Her book Scrapbook: An American History was published in 2008, by Yale University Press.
Helfand has taught for the last decade in the graduate program in Graphic Design at Yale University, where she is a Fellow at Jonathan Edwards College and a member of the committee on graduate admissions in the School of Art. She has also been a visiting artist and visiting lecturer at The Cooper Union, Cranbrook Academy of Art and NYU School of Interactive Telecommunications. She has been a visiting critic at most of the other major educational design programs in the United States and Europe, and has lectured at the Netherlands Design Institute, the Walker Art Center, Smithsonian Institution, the Annenberg Center for Public Policy, and two AIGA national biennial conferences, among many others. In October 2006, Helfand was appointed to the Postmaster General’s Citizens’ Stamp Advisory Committee, the group responsible for evaluating the subject and design merits of all stamp proposals in the United States.
Jessica Helfand received a Bachelor of Arts in Graphic Design and Architectural Theory and a Master of Fine Arts in Graphic Design, both from Yale University.
Competition Statement
While images are so often used in support of words, this genre of material reminded us that the images can so often be a compelling subject in and of itself. Fresh, original, poignant, witty — we hungrily devoured the multiple offerings in this category, pleased to see such a wealth of new ideas. In all, it was an inspirational four days, with thoughtful discussion and debate. Bravo to Andrew Howard for his hard work in coordinating this jury, and here’s hoping that TITAN is supported for many years to come. Any excuse for an international illustration competition is a good excuse for an international illustration competition!
Pep Monserat SP
Jury
Biography
Pep Monserat was born at Roda de Ter in 1966.
He started illustrating brochures and children books and magazines while finishing the Arts course at Llotja Art School in Barcelona, in 1988. After this, he also studied Graphis Design in Eina School, in Barcelona also.From those days, he has been illustrating a lot of children books, some of them distinguished with awards like the Nacional del Ministerio de Cultura (1995), Internacional Catalonia (1997), the Generalitat de Catalunya Award (1998) or to be included on the IBBY’s Honour List (1998). He has published books in many european countries, as well that in the United States of America, Brasil, Corea…
As a press illustrator, he has published and he is still publishing regularly on the newspapers Avui, La Vanguardia and El País, in Spain, and The Chicago Tribune on the States. He has also published with The New York Times, The Wall Street Journal, The Boston Globe… as well as with many spanish and american magazines, like Woman, Quéleer, Cuerpomente o Ser Padres in Spain and The New Yorker o Travel&Leisure among others, in the States. He has created with the catalan writer Montse Ganges, a television series wich is called Miniman, produced by Cromosoma, he was the Art Director of the catalan publisher Edicions de la Magrana from 1995 to 2001. From 1998 he teaches illustration in La Massana Arts School, in Barcelona.
Competition Statement
It was a great pleasure and honour to be a part of the first TITAN Award Jury. What struck me in particular was that the most powerfull section was the book category section. It seems to demonstrate that this area is the one that brings the most freedom and space to illustrators in developing a concept and a discourse. If the other sections were weaker then it’s perhaps because the professionals involved in these other areas are not so used to promoting their work through contests and awards. It is also perhaps because visual trends exert greater influence in certain media. Sometimes it’s harder to find a real personality through the production of a poster or a brochure, where the limits marked by the art director don’t leave space enough for the artist to develop a singular point of view.
Sara Fanelli IT
Main prize, €8.000,00
Biography
Sara Fanelli was born in Florence. She went to London to study art and has been working there as a freelance illustrator ever since graduating from the Royal College of Art in 1995. She has worked for a diverse range of clients internationally, dividing her time between general illustration work, books and self-generated projects. Her clients include: Penguin Books, Tate Modern, Tate Britain, BBC Worldwide, Ron Arad, the New York Times and The Royal Mail. She has also written and illustrated a number of children’s books which have been published in many languages throughout the world.
Work Desccription
Sometimes I Think, Sometimes I Am
The book Sometimes I Think, Sometimes I Am is a collection of illustrations inspired by quotations and excerpts from poems/writings from world literature. It contains personal work created through a few years- etchings, notebooks, three dimensional items.
The book is divided into five chapters by the quotation’s subjects : Devils and Angels, Love, Colour, Myth, The Absurd.The central section, with quotations on colour, is on smaller size (and lighter weight) paper, so it will becomes a “book within a book” . This in turn contains an even smaller booklet with no quotations, just colours and images.
www.sarafanelli.com
info@sarafanelli.com
Bernardo Carvalho PT
Prize, €2.500,00
Biography
Born in Lisbon, in 1973. Graduated in Communication Design at Faculdade de Belas Artes of the University of Lisbon and attended the Drawing Course of Sociedade Nacional de Belas Artes. Even without knowing yet how to read, the cartoon pages were to Bernardo Carvalho magic places, full of adventures and, above all, of perspectives and framings out of the ordinary to know the world and its details. Children illustration came up by chance, when he was invited to illustrate the junior guide of Lisbon’s EXPO 98. After that, Bernardo Carvalho has been working in children’ press, in several pedagogical projects, for museums’ educational services (Serralves Foundation, Museu da Electricidade), and in books for children.
He has published the following books: Um Livro para Todos os Dias (2004, Planeta Tangerina/2007, Sarbacane); Pê de Pai (2006, Planeta Tangerina/2007, Sarbacane); Este Mundo é uma Bola (2005, Planeta Tangerina); Obrigado a todos (2006, Planeta Tangerina).
Work Desccription
D for Dad
In D for Dad a dad can be the most incredible things: a tractor, a ladder, a mattress or a sponge… This book looks closer at the complicity between fathers and children and invites them to discover themselves while turning the pages. The texts are written by Isabel Martins.
www.planetatangerina.com
editora@planetatangerina.com
Bouwe van der Molen USA
Prize, €2.500,00
Biography
Bouwe van der Molen was born in 1980 at Ithaca, USA. Currently works from Amsterdam, the Netherlands. His design studio was founded there in 2008. Illustration is an integral part of his design work. Continuously remapping the boundaries of design provides him with an international network of interdisciplinary colleagues. Much of his inspiration comes from his current travels and his experiences while living in South America and the Middle East as a teenager.
Work Desccription
La Grande Boucherie
Poster for exhibition La Grande Boucherie by international illustration collective Le Grand Crew, in gallery VillaNuts, The Hague, Netherlands. The theme of the exhibition was based on the fact that the gallery is located in an old butcher shop (boucherie).Two color silkscreen print on paper (60 x 80 cm).
www.bouwevandermolen.com
info@bouwevandermolen.com
Martin Muller CH
Prize, €2.500,00
Biography
In 2006, he did a short internship at Mieke Haaseis offices in Hamburg, in which the illustrations for Fleurop were produced under Miekeis close guidance. Since then he lives and works as freelance illustrator and graphic-designer in Berlin. He continues on experimenting a lot with different materials and techniques in his illustrations, and works for a wide range of clients, for magazines like Neon or Mieke Haaseis magazine FELD hommes,international agencies, small graphic-bureaus, NGOs, local shops, zines, galleries.
Work Desccription
Annual Report, Fleurop-Interflora, Switzerland (2005, 2006, 2007, 2008)
All the illustrations were made up with real blossoms, leaves, twigs etc., which were first scanned one at a time and then composed and altered digitally, basically by stacking layer over layer. The idea was to present the foundation of the clients business , flowers, not only as objects in pictures, but to build all graphics and portraits and even charts out of them. That way business and beauty merge with ease and elegance in this business report. Mixed Media (blossoms, leaves, twigs, paper, photoshop).
www.183off.com
www.ilikeyourbadbreathdaddy.de
herr.mueller@183off.com
Studio Ajubel SP
Prize, €2.500,00
Biography
Ajubel was born in 1956, at Sagua la Grande, Cuba. His professional career begins in 1973. Based in Spain since 1991, he now has established his art studio in the city of Valencia.
He is the current Ragazzi Award Winner, the most prestigious award for children and young reader’s publications, in the Fiction category, which was granted for his work Robinson Crusoe (Ed. Media Vaca). In 2009, Robinson Crusoe was included in the White Ravens List (Munich, Germany), which comprises the most aesthetically influential books worldwide, and was also the winner of the 2nd CJ Picture Book Award (Korea). In 2007, this book was one of the 50 selected works to be exhibited in the collective exhibit Ilustrarte (Barreiro, Portugal) and, in 2008, it was awarded with the prize for Best Illustrated Book 2008 (Council of The Arts of Valencia, Spain).
In 2008, Ajubel was invited to participate in the collective exhibit La Prensa Ilustrada-1976-2008 (Museum of Contemporary Art of Madrid, Spain). In 2005, he was selected for the collective show “Ilustrísimos: Panorama de la ilustración infantil y juvenil en España”. In 2003, he won the bid for the development of the new international image of Vinos de España (Trade Agency of Spain) and received the National Award for the Best Illustration of Children’s Books (Culture Ministry of Spain).
His work has received over 50 international awards and 65 additional recognitions in Cuba, where he is listed among the twenty best graphic political cartoonists of the 20th Century. In 1994, he was nominated by the specialized magazine Witty World (USA) to be included among the best satirical artists of the world. Other important recognitions include his two Bronze Medals and an Honorific Mention at The Best of Newspaper Design (USA).
He has done more than 22 individual exhibits, and has participated in close to 80 collective exhibits. He has given lectures and workshops on newspaper illustration in Spain and Portugal, among other venues. He has a large portfolio of clients in Spain and worldwide.
Work Desccription
Robinson Crusoe
Robinson Crusoe is a novel in images inspired by Daniel Defoe’s Robinson Crusoe, with commentary by Leonardo Padura Fuentes. The transmutation of a narrative text into images is always a challenge. And more so if the previous text happens to be one of the most well-known stories of universal literature. The processes to achieve the journey of languages are synthesis, suggestion and connotation. With these concepts, and by means of seventy-seven drawings, this book gives us his a delicate version of Robinson Crusoe, where besides its graphic beauty, he offers us the possibility to read the essences of the text: the price of dreams, the abandonment of loneliness, the anxiety of return, themes as old as literature itself.
www.ajubelstudio.com
ajubel@ajubel.com
Tim Van Den Broeck DE
Prize, €2.500,00
Biography
Tim Van Den Broeck creates, plays, illustrates, designs and art directs with passion, purpose and enthusiasm. His attitude to life and work is open, profound, intense and honourable. It is energized by drive and purpose, enlightened by curiosity and polished with skill. He has spent his professional childhood as a creative and art director in advertising. So his approach is elastic, conceptual and attuned to your wants and needs. He -mainly- focus on illustration, character design, designer toys, personal art works and select branding and design projects. He works to diverse clients, such as the Alliance of Liberals and Democrats for Europe (ALDE), Coca Cola, Electrabel and Knorr Vie Kidz.
Work Desccription
www.thechangers.eu
The work includes the illustrations, the character design and the animations for a community website, named The Changers. In this game, six islands in total are featured online, each one making use of separate avatars which can be personalized.
This work integrates the Alliance of Liberals and Democrats for Europe campaign, to encourage people across the European Union to take action to reduce their environmental impact. Currently young people are playing The Changers game in over 27 countries.
www.timvandenbroeck.com
welcome@timvandenbroeck.com
Max Tillman PT
Prize, €2.500,00
Biography
Born August the 1st 1955, in Viana do Castelo. Has been exhibiting solo since 1978, integrates group shows since 1983. In 1989 he won the 2nd prize at the National Exhibition of Small Format, promoted by Árvore, in Porto, and in 1990 he is awarded the 2nd prize in the Drawing National Exhibition (celebrations of the bicentenary of the pencil’s invention) of Escola Superior Artística do Porto.
In 1999 he began his biggest conceptual work, creating a gallery of 25 authors (the heteronyms). The works produced and to produce cover the following areas: author’s illustration, cartoon, dark humour, children stories, graphic novel, illustrated diaries with photographs and paintings, theatre, crime novel, fashion and cinema. From its complete total publication will result a small library of 50 books.
He collaborates with several magazines, newspapers and publications, as for example O Diário, Jornal de Letras, Público, Expresso, among others.
Work Desccription
No More Apples in Paradise
No More Apples in Paradise, after the epigraph and a coversheet, it is composed by two parallel series, presented intermittently: a first one where are brought together drawings now of thin strokes, only outlines, then of thick strokes, spots and brush strokes, sometimes representing other images, that overlap, streaky lines, speech balloons now empty now filled by a very characteristic author’s work of unstandardised, floating heads, symbols, recognisable or not. Everything, always, always, occupying almost the whole page, in black and red, and accompanied by a text, one, two words, what we could call of name or title (“clandestine abortion”, “cancer”, “domestic violence”, “refugees”). The second series is composed by drawings also of thin lines, almost disconnected in the interior of its outlines that draw human figures, in what we could understand as the various possibilities of the sexual encounter”.
Pedro Moura, in Ler BD.
http://chilicomcarne.blogspot.com
http://lerbd.blogspot.com
ccc@chilicomcarne.com
Ana Biscaia PT
O carnaval dos animais
Ana ventura PT
A new flower is born
Tell me a story
Antje Herzog DE
Neighbourhood conversations at flower beds and fire hydrants
Audrey Koh NL
Banng Baang
Bernardo Carvalho PT
O mundo num segundo
Catherine Lepage CA
12 mois sans interest
2009 calendar
Dave McKean UK
Dave McKean: Squink
Paris: Carte Postal
David Hughes UK
Victor Hugo’s The Hunchback of Notre - Dame
Doktor Faust
Dégeilh Sébastien PT
Subjects
Fabio Zimbres BR
Panamá o Las Aventuras de mis Siete Tíos
Hong Chong CN
19th Macao International Music Festival postcard
18th Macao International Music Festival postcard
15th Macao International Music Festival postcard
Inês Laranjeira PT
Mais Olhos que Barriga
Julio Dolbeth PT
Pandora complexa 500
Manuel Cruz PT
Foge foge bandido
Martin Mueller DE
Haeckel Mash-up
Oliver Kugler UK
Peter herbert
The fruit and the vegetable vendor
Paulvan der Veer NL
ABP at 85
Patric Sandri CH
Diary of a very special love
Luba Lukova NL
Social Justice 2008
Uros Lehner SI
Kroki
Vera Morgado PT
Stationary for Activism Companies
Stationary for Activism Companies 2
